Best Picture Showcase 2017, Day One

February 26th, 2017

The Oscars are this weekend, which means that AMC Theatres is holding its annual Best Picture Showcase, a two-day marathon of the contenders for the top honor. Day one was last Saturday and included screenings of Manchester by the Sea, Fences, Hell or High Water, and La La Land. I’d seen none of them before, and enjoyed all four.

Manchester by the Sea tells the story of a man’s strained relationship with his nephew, whom he is placed in charge of after the death of his brother. Casey Affleck plays the main character in a performance that is itself Oscar-nominated, but I was unaware of the praise it had garnered and thought he was a bit stilted. Nevertheless, the movie was poignant and charming, and the revelation of the Affleck character’s background was moving and effective. I enjoyed the film.

Fences, starring Denzel Washington and Viola Davis, is about a black garbageman in mid-20th century, and the pain he causes his family. Washington is a great actor, of course, but Davis completely stole the show with a powerful performance as his wife, one which I hope earns her the Best Actress Oscar Sunday night. The movie as a whole was pretty good, but extremely dialogue heavy and tended to drag in parts, particularly at the beginning. I enjoyed it but thought it could have benefited from some judicious editing.

The biggest surprise of the day was Hell or High Water, which I knew nothing about beforehand. It’s about two bank-robbing brothers in rural Texas, and the Texas ranger who’s after them. The case was uniformly excellent, but Jeff Bridges was the highlight as the ranger (another Oscar-nominated performance). The characters were well-written and relatable, and while the climax was a bit intense, the movie was surprisingly funny overall.

Finally, La La Land is the apparent frontrunner to win Best Picture. It’s a musical about a down-on-his-luck jazz musician and an aspiring actress who fall in love, and it very consciously evokes the classic Hollywood musicals. It was very fun, and I particularly enjoyed one important scene which prominently featured the ’80s classics “Take On Me” and “I Ran.” I’ll be vague so as to avoid spoiling it, but the ending was unexpected, and will probably disappoint some viewers, but I found it very realistic, relatable, and moving.

Given the film’s subject matter, I feel that La La Land’s likely Best Picture win is a bit self-serving on the part of the Academy, similar to Birdman’s victory a couple of years ago. Nevertheless, I think La La Land is much more deserving than Birdman was, and it was my personal favorite of the four, edging out Hell or High Water.

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